Tuesday 22 April 2008

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As world watches Tibet, China's Muslim Uighurs face growing repression

  • Posted on Monday, April 14, 2008
Uighurs: Turkic minority in China

MCT

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KHOTAN, China — Almost unnoticed amid the wide-scale protests by Tibetans over the past month is the social unrest among the 8 million or so Muslim Uighurs in China's resource-rich far western territory.

Recently, hundreds of Muslim women in black veils gathered outside the market in this oasis city in an impromptu protest. Some carried signs demanding an independent state.

"I saw the demonstration myself. There were 500 to 700 women in black, waving placards for East Turkestan," said Wu Jiangliang, a hydroelectric company employee.

China handled the unrest forcefully, ensuring the stability of a region rich in oil, coal and minerals. Police moved quickly to quell the March 23 protest, arresting numerous women and shooing others away. It drew only minor notice.

China also has broken up what it said were two terrorist rings that intended to disrupt the Beijing Summer Olympic Games and thwarted what it said was a terrorist attempt last month on a commercial airliner.

But as state officials employed a firm hand against restive Uighurs, pronounced WEE-gers, they also publicly demonized those behind the social unrest. Critics now say that while the state has stabilized ethnic areas, the harsh language may exacerbate tensions.

"The problem is that China's policies are alienating," said Nicholas Bequelin, a Hong Kong-based researcher for Human Rights Watch, an advocacy group. "They are efficient in that political repression works. But they increase ethnic tensions."

Conversations in the marketplaces and along the sandy streets of this city reveal that Han Chinese and Uighurs live side by side but share little except mistrust and fear.

"I don't have Chinese friends," said a Uighur shopkeeper who identified herself only as Ayguzal. "Chinese people never come in here."

At midnight in a karaoke bar in a hotel frequented by Han Chinese businessmen, a young Han asked a visitor a question over the thumping music.

"Are you scared?" he wanted to know.

Asked if he meant afraid of the Muslims, he replied: "They hate us."

Khotan, known in Mandarin as Hetian, sits on the edge of the sprawling Taklimakan Desert. The vast majority of the million or so residents are Uighurs.

A series of bombings and assassinations shook the surrounding Xinjiang Uighur Autonomous Region in the 1990s, but a repressive campaign that included numerous executions halted that terrorism.

Han merchants have migrated to Khotan in increasing numbers this decade to trade in jade, which is excavated from a local riverbed.

Some adhere to the government line that the Han majority enjoys harmonious relations with all 56 ethnic minority groups dwelling in China, and particularly with the Uighurs.

"We are all one people," said Huang Ziyong, a jade merchant who arrived in 1993 from Sichuan province. Huang hasn't bothered to study Uighur, which shares linguistic roots with Turkish. "I can't speak their language."

When speaking confidentially, Uighurs are quick to pour out grievances.

Some complain of family-planning policies that have left Uighur mothers dead from second-trimester abortions. Others said that few senior party or regional officials are ethnic Uighurs, despite pledges decades ago that the region would enjoy autonomy.

Since 2006, controls have stiffened. Muslim shopkeepers aren't allowed to pray in their stores, and state employees are discouraged from practicing religion at all.

"The government has taken away everyone's passports and kept them in the local police station," said a farmer who gave his name only as Muttursun.

Tensions in Khotan rose early this year when state security arrested a prominent Uighur jade merchant, Mutallip Hajim, who was known to help young Muslim students with his philanthropy. On March 3, police gave Hajim's body to his family, saying he'd died of a heart attack. He was 38 years old.

"They suspected he was a leader supporting demonstrations," said Rebiya Kadeer, an exile leader who is president of the World Uighur Congress.

Kadeer, speaking by telephone from the United States, said Hajim had been tortured and that a number of Uighur men were subsequently arrested, enraging their wives and leading to the women's March 23 protest. The women also were angry that the government discourages them from wearing black headscarves.

"The government has been really heavy-handed," Kadeer said. "The Uighurs are ready to take to the streets and the government knows that. This is only the tip of the iceberg."

Beijing frequently asserts that separatists and terrorists lurk among the Uighur population, stoking fear in ordinary Uighurs that they may face accusations at any time.

"They've got the political sword of Damocles over their heads. If you smear someone as a separatist, they are in big trouble," Bequelin said.

Xinjiang leaders have accused Hizb ut-Tahrir al-Islami, a movement active in the former Soviet republics of Central Asia, of spreading tens of thousands of pamphlets in major cities, including Khotan, earlier this year. The group advocates the creation of a pan-global Islamic state, or caliphate.

In the most recent alleged terrorist case, the Ministry of Public Security in Beijing said April 10 that agents had smashed a ring of 35 radicals in Xinjiang who planned to disrupt the Olympics with kidnappings and mass poisonings. It provided no details about where the arrests took place or the identities of those arrested.

Foreign terrorism experts suggest that China may be conflating criminal activity with potential terrorism, a sign that it's jittery about stability before the Olympics.

After a Jan. 27 raid in the regional capital of Urumqi, authorities said Muslim militants threw grenades at police, injuring seven officers. Two militants allegedly were killed, and 15 were captured.

But when an Agence France-Presse journalist went to the middle-class housing development in Urumqi, residents dismissed reports of a grenade-tossing clash.

"That's nonsense," one resident told the news agency. "Everybody would have heard something like that," said another resident.

China claims that the East Turkestan Islamic Movement has links to global terrorist cells, a charge that some experts dismiss.

"There's just no clear connection between al Qaida and East Turkestan," said Dru C. Gladney, a professor at Pomona College in California. "(Osama) bin Laden has never mentioned them."

Many Chinese now quickly associate Uighurs with trouble.

"The general perception of Uighurs has shifted in China at large. Now mention 'Uighurs,' and it's, 'Oh, dangerous terrorists!'" Bequelin said. "It may be the longest-lasting effect of this campaign."

ABOUT THE UIGHURS

The history of the Uighurs can be traced back 2,600 years. According to a history compiled by the London Uighur Ensemble, a group formed to popularize the traditional and popular music of the Uighurs, the nomadic tribes of that era rose "to challenge the Chinese Empire" and to become "the diplomatic arm of the Mongol invasion."

China's ethnic Uighurs are moderate Muslims who are related to the Turks. Like the Kurds of Asia Minor and the Tamils of Sri Lanka, the Uighurs are a dissatisfied transnational ethnic minority spread across several countries, without an independent homeland or a strong leader. They are located mainly China, but also Kyrgyzstan, Kazakhstan and Uzbekistan.

The London Ensemble notes that the ethnic minority "staged several uprisings" against the Nationalist Chinese government in the period before the Communists took control of the country. In 1933 and 1944, the Uighurs established an independent Islamic Eastern Turkestan republic, but that attempt at a nation state ended after military intervention by the Soviet Union. With the establishment of the Maoist government in China in 1949, the tribal homeland came under Chinese communist rule.

ON THE WEB

Read the AFP story.

McClatchy Newspapers 2008

What Is Wrong With Malay Films? Part 1 of many

After watching the horrors of a badly made horror film Waris Jari Hantu, I got into a discussion with a friend on the state of Malay films. I guess Malay films post Jalan Ampas (Singapore) days are categorically made in Malaysia films. (Singapore and Malaysia's history are intrinsically intertwined that its hard to seperate certain aspects of its component, such as the film industry).

Anyway, back to Malay films. We got into the discussion after watching The Texas Chainsaw Massacre film starring the wonderfulous Jessica Beil. The film was intense, shocking and full of suspense. All straight to the point. We lamented how come Malay filmss can't do that? Just make a film that scare the shit out of people.The point of a horror flick is to do just that- shock and scare the audience through the suspension of disbelief. 

Wikipedia: Suspension of disbelief is an aesthetic theory intended to characterize people's relationships to art. It was coined by the poet and aesthetic philosopher Samuel Taylor Coleridge in 1817. It refers to the willingness of a person to accept as true the premises of a work of fiction, even if they are fantastic or impossible. It also refers to the willingness of the audience to overlook the limitations of a medium, so that these do not interfere with the acceptance of those premises. According to the theory, suspension of disbelief is a quid pro quo: the audience tacitly agrees to provisionally suspend their judgment in exchange for the promise of entertainment.

So basically, the closer the film is to reality, the more the audience will believe that the film is real. So real that we cringe at the sense of fear or we sympathise with the characters in the film. Malay audiences suspension of disbelief is no more prominent than when they are immersed in Hindi films- tears and all.

Hence, when a film loses its focus and began to swim in the waters of ridiculous and comical make-believe whilst trying to con the audience into believing that what they are portraying is real, it starts to flop around like a half dead chicken. 

I do not understand why films like Waris Jari hantu need to have so many confusing sub-plots such transgender identity crisis. I think transgender is a serious issue which should be addressed in another films. O wait a minute, come to think of it, it already has! Buka Api i think was the film that tried to tackle the issue.

So why was it creeping in a horror flick is a horror in itself. I don't know!

I can name quite a few recent Malay films that fall under the category of 'losing steam' halfway through the movie. A lot of the films start with a good opening which impresses the audience. But halfway through the film, it starts to 'merepek', swaying left to right, back to front. I remember watching Ringgit Kasorga and thinking WTF is this director trying to say? Oops, I think its the same director of Waris Jari Hantu. Shucks, I honestly don't meant to target the director but I am just writing on the top of my head.  KRU's Awas was another flop (regardless how much it did at the box office) It was a pompously ambitious film that tried to address 'heavy' issues like HIV, Homosexuality and Atomic Nuclear Reactors. All while trying to promote a boy band. WTF LOL. ( Maybe you guys reading this can add on to the list of the BS they tried to push into our faces).

But back to Malay horror films- All I want to see is a film that scare the hell out of me. A film that can sustain my interest, that can "suspend my sense of disbelief" regardless if the lead actors and actresses are predictable pretty faces, mostly of  Malay- European  parentage. No sub-plots, no selling of ideologies or agendas. Just pure horror. Come on guys, make a film that shock us. Is that so hard to do?

Monday 14 April 2008

Waris Jari Hantu-Brokeback Mountain Meets Sheila Queen of the Desert and The Exorcist

I had the chance to watch Waris Jari Hantu (Heir to the Middle Finger?translation needed). I was expecting to see a scary film with Malay mysticism as its core theme. The movie opened quite promisingly with Azean Irdawaty as the grandmother/healer who needed an heir to her mystical knowledge. Then things started bugging me- the mystical tiger was a 3rd rate special effect. And then there was the sub-plot-  a guy (Ari) who desired to be a drag queen. And a girl (Tina) his childhood friend/cousin (dont know, its not clear in the film) who wanted to marry him (now thats a bit wierd- marrying cousins) despite knowing that he was a pansy (and  after numerous teasings by the local Mat Rempits and Co.) Somewhere along the film, the girl graduates from university and became a personal assistant in an advertising firm in KL (???). Ari then, tired of the bullying because of his pansiness decides to find work in Singapore (but we don't know as what). Meanwhile Tina misses Ari and is upset becuase he doesn't call. She then got really really upset when Ari came back as a full bloom drag queen, with his side kick drag queen friend Ah Meng (not the famous Orang Utan at Singapore Zoo). Ahhh..its all so confusing. I am writing this while the movie is playing, just occasionally glimpsing at the screen. Things seem irrelevant and incoherent at the moment. Its a pity that the film with a good title, a great cast of actors fail miserably due to a stupid plot and the incoherence of a once upon a time great director. I am not even bothered to review what I have written because I am pissed off with the film. What a waste of 1 & 1/2 hours of my time.

Friday 11 April 2008

Mat the Ripper- A 19th Century Malay in an English Town

I HAVE a semi-romantic fascination for the Victorian Age, despite its colonialist overtones. It was a time when the glories of industrialisation rode hand in hand with the golden age of art, literature and poetry. There was the British Raj, Rudyard Kipling, Oscar Wilde, the steam engine, Around the World in 80 Days, Phantom of the Opera and the Elephant Man. And Jack the Ripper. In autumn 1888, a series of five ritualistic murders in the Whitechapel area of London awakened Victorian society from its opium-clouded dream. The exploits of the murderer, nicknamed Jack the Ripper, have fascinated the world for more than a century. Jack the Ripper is said to have never been caught and has been the subject of much speculation. Among the suspects was Prince Albert Victor Christian Edward (known as Eddy to his friends). But at the time of the Ripper murders, there were no theories presented to link Eddy to the crimes. In 1970, Dr Thomas Stowell published an article in The Criminologist called A Solution using the private papers of Eddy's physician Sir William Gull as his primary source material. According to Stowell, Eddy was suffering from syphilis, contracted in the West Indies, and that this infection drove Eddy insane and compelled him to commit the murders. Hollywood offered its version through the film From Hell starring Johnny Depp. The film unravelled a chilling alleged conspiracy involving the highest powers in England - the royal family and the Freemasons. Another theory is that of the 'foreigner suspect'. There was a common and arrogant belief at that time that 'no Englishman was capable of doing such a thing, hence the suspect must be an immigrant'. As a result, the Jewish community living in Whitechapel at that time came under suspicion. When I first arrived in London some years ago, my friend Michael mentioned in passing something which I took an interest in. He said that one of the suspects in the Jack the Ripper case was a Malay man. Recently, while researching on the Malay diaspora to gather materials for the London Malay Festival, I came across the case again. The London Times dated October 1889 reported that a Malay man who worked as a cook aboard ships had threatened to kill Whitechapel prostitutes, but he then disappeared. The Malay suspect was said to have gone by the name of Maurice. Now most of us would know that Maurice is neither a Malay nor Muslim name. I wondered perhaps his name could have been Mat Rais or Mat Deris. Mat is the abbreviation of Ahmad or Mohammad - a commonly-used Muslim name. The Anglo corruption could have possibly twisted Mat Rais or Mat Deris into Maurice. Just like how the Arabic Straits of Jabal Atar became the Straits of Gibraltar. But imagine, if one day, through some 'newly discovered evidence', Jack the Ripper turned out to be a Malay man. History would have to take a revolutionary turn to the Orient. Books would have to be re-written, scripts changed and films remade. And, who knows, perhaps there would be fresh openings in the film industry. And talents like my friend, the gifted poet and actor Rafaat Hamzah, or even myself, may jolly well get a role in a new Hollywood film about Jack the Ripper. But I would have to insist that it be renamed 'Mat the Ripper'. This article appeared on The New Paper as 'Is Jack the Ripper really a Mat?' By Art Fazil August 17, 2005

Thursday 10 April 2008

World Spins in Mighty Revolutions

As I turn the pages of the newspaper or surf through the net, I feel the world spin in mighty revolutions. These are interesting times.

I Said Something Yesterday